Search results
Results from the WOW.Com Content Network
If a paragraph is preceded by a title or subhead, the indent is superfluous and can therefore be omitted. [2] The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first, [2] noting that that is the "practical minimum". [3] An em space is the most commonly used paragraph indent. [3]
Overly long paragraphs should be split up, as long as the cousin paragraphs keep the idea in focus. ... One or two paragraphs 15,000–30,000 characters
In writing and editorial practice, authors and editors use the pilcrow glyph to indicate the start of separate paragraphs, and to identify a new paragraph within a long block of text without paragraph indentions, as in the book An Essay on Typography (1931), by Eric Gill. [2]
The lead paragraph (sometimes spelled "lede") [P] of newspaper journalism is a compressed summary of only the most important facts about a story. These basic facts are sometimes referred to as the "five Ws": who, what, when, where, and why. Journalistic leads normally are only one or two sentences long.
In the case of a two-paragraph extended lede, the nut graph follows those two, as needed; hence, the nut graph is generally the second or third paragraph following a journalistic lede. [2]: 262 In many news stories, the essential facts of a story are included in the lede, a story's opening paragraph of 2-3 sentences. [2]: 261 Good ledes answer ...
One undeniable advantage of line breaks within paragraphs is that many Unix editors do not handle long lines well – they can either wrap characters at the screen boundary, wrap words at a fixed length, or not wrap at all. However, by this logic, line breaks would have to be entered at a fixed width, such as 80 characters, something which most ...
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
The essay is to consist of an introduction three or more sentences long and containing a thesis statement, a conclusion incorporating all the writer's commentary and bringing the essay to a close, and two or three body paragraphs; Schaffer herself preferred to teach a four-paragraph essay rather than the traditional five-paragraph essay. [1]