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The following is a list of films originally produced and/or distributed theatrically by Metro-Goldwyn-Mayer and released (or scheduled to be released) in the 2020s. This does not include select titles produced solely by Amazon MGM Studios following their 2022 acquisition of the studio and their own rebrand in 2023 despite them using the 2021 MGM logo in the films themselves.
July 10, 2022 4 episodes: 54–57 min: Miniseries My Life as a Rolling Stone: Music August 4, 2022 4 episodes: 59 min: Miniseries Blumhouse's Compendium of Horror: Film October 2, 2022 5 episodes: 45–52 min: Miniseries Murf the Surf: True crime: February 5, 2023 4 episodes: 45–50 min: Miniseries Amityville: An Origin Story: Paranormal April ...
This list does not include films from United Artists before it merged with MGM (except for co-productions), or other studios that MGM acquired (such as Orion Pictures, The Samuel Goldwyn Company, and Cannon Films). MGM's pre-May 1986 library is currently owned by Warner Bros. through Turner Entertainment Co.
MGM Grand shuttered its theme park to expand the pool and meeting space. The fine dining scene up and down the Strip exploded. ... The Big Apple Coaster at New York-New York Hotel & Casino still ...
Roller coaster track. The Big Apple Coaster (formerly Manhattan Express and The Roller Coaster) travels through the property's interior and exterior along a 4,777 ft (1,456 m) track. [130] The coaster is 203 ft (62 m) high, has a maximum drop of 144 ft (44 m), and reaches speeds up to 67 mph (108 km/h).
Apple TV+ [415] March 3 The Dropout: Hulu [416] Joe vs. Carole: Peacock [417] March 8 The Thing About Pam: NBC [66] March 11 The Last Days of Ptolemy Grey: Apple TV+ [418] March 17 DMZ: HBO Max [419] March 18 WeCrashed: Apple TV+ [420] March 26 Sventoonie: MeTV [421] March 29 The Girl from Plainville: Hulu [422] March 30 Moon Knight: Disney+ ...
The formation of Epix was announced on April 21, 2008, after individual negotiations between Paramount Pictures, MGM, and Lionsgate with Showtime to renew their existing film output deals broke down; each of the three studios disagreed with Showtime over the licensing fee rates for which they wanted Showtime to compensate them to allow future releases to air on the Showtime Networks services. [35]
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