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The Auro 11.1 cinema sound format is an extension of the existing 5.1 surround sound format by incorporating height and overhead channels to allow for placement and panning of sound in the horizontal and vertical axis. [1] Auro 11.1 is a channel-based system and thus differs in capability compared to competing formats such as Dolby Atmos and ...
In 2002, Dolby premiered a master of We Were Soldiers which featured a Sonic Whole Overhead Sound soundtrack. [ 2 ] DTS-HD is a format which supports virtually any amount (over 2000) discrete channels for which a demonstration of an 11.2 system using four height channels was given at a Consumer Electronics Show .
Dolby Atmos home theaters can be built upon conventional 5.1 and 7.1 layouts. For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers.
7.1.2 and 7.1.4 immersive sound along with 5.1.2 and 5.1.4 format adds either 2 or 4 overhead speakers to enable sound objects and special effect sounds to be panned overhead for the listener. Introduced for theatrical film releases in 2012 by Dolby Laboratories under the trademark name Dolby Atmos. [44]
Most common loudspeaker configuration for 5.1; used by Dolby Digital, SDDS, DTS, THX, and Dolby Pro Logic II. The white square in the center of the diagram depicts the low-frequency speaker. Each black square depicts a loudspeaker. The center speaker in the top line of the diagram is used for dialogue.
AuroMax expands on the basic layout used by Auro 11.1 and Auro 13.1 by dividing the side, rear and ceiling channels into "zones", to allow for placement of sound at discrete points along the theatre wall or ceiling as well as within the theatre itself. The principle employed is similar to other object based formats such as Dolby Atmos or DTS:X. [1]
Dolby reintroduced the Dolby Surround terminology in 2014. The term now refers to a new upmixer whose purpose is to enable Dolby Atmos receivers and speaker configurations to serve non-Atmos signals. Dolby Surround is a complete replacement for Pro Logic that upmixes stereo and multi-channel inputs to play over Atmos configurations.
The audio processor is then responsible for dynamically rendering sound output depending on the number and position of speakers available. Dolby Atmos uses a similar technique, [30] [31] although the speaker layout employed by cinema DTS:X is the sum of Dolby Atmos and Auro-3D. The layout showcased at AMC Burbank theatre number 8 has a standard ...
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