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In each tense, the aspectual distinction is the same.) This aspectual distinction is not inherent to the events themselves, but is decided by how the speaker views them or wishes to present them. The very same event may be described as perfective in one clause, and then imperfective in the next. For example,
Other terms for the contrast lexical vs. grammatical include: situation vs. viewpoint and inner vs. outer. [10] [11] Lexical aspect, also known as Aktionsart, is an inherent property of a verb or verb-complement phrase, and is not marked formally. The distinctions made as part of lexical aspect are different from those of grammatical aspect.
Traditionally, the imperfect of languages such as Latin and French is referred to as one of the tenses, although it actually encodes aspectual information in addition to tense (time reference). It may be more precisely called past imperfective. [1] English has no general imperfective and expresses it in different ways.
In almost [clarification needed] all modern Slavic languages, only one type of aspectual opposition governs verbs, verb phrases and verb-related structures, manifesting in two grammatical aspects: perfective and imperfective (in contrast with English verb grammar, which conveys several aspectual oppositions: perfect vs. neutral; progressive vs. nonprogressive; and in the past tense, habitual ...
Classical Irish had a three-way aspectual contrast of simple–perfective–imperfective in the past and present tenses. Modern Scottish Gaelic on the other hand only has past, non-past and 'indefinite', and, in the case of the verb 'be' (including its use as an auxiliary), also present tense.
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The present tense is indicated with the non-past imperfective form. The future in the perfective aspect is expressed by applying the conjugation of the present form to the perfective version of the verb. There is also a compound future imperfective form consisting of the future of "to be" plus the infinitive of the imperfective verb.
he tales were scrubbed further and the Disney princesses -- frail yet occasionally headstrong, whenever the trait could be framed as appealing — were born. In 1937, . Walt Disney's "Snow White and the Seven Dwarves" was released to critical acclaim, paving the way for future on-screen adaptations of classic tales.