Search results
Results from the WOW.Com Content Network
Estampes by Claude Debussy English Prints Catalogue L. 100 Genre Impressionism Composed 1903 Performed January 9, 1904 ; 121 years ago (1904-01-09) Salle Érard, Paris, France Estampes (Prints), L. 100, is a composition for solo piano by Claude Debussy. It was finished in 1903. The first performance of the work was given by Ricardo Viñes at the Salle Érard of the Société nationale de ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
The second piece of the cycle, "Il pleure dans mon cœur" compares falling rain to falling tears. Written in G ♯ minor, Debussy's music includes almost continuous eighth notes that alternate between the right and left hands, creating an atmosphere that evokes the sound of raindrops.
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
Claude Debussy's Études are a set of 12 piano études composed in 1915. Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". [1] They are broadly considered his late masterpieces. [a] Étude 1 pour les cinq doigts d'après Monsieur Czerny (five fingers, "after Monsieur Czerny")
Marie-Jacques Massacrié-Durand (22 February 1865 – 22 August 1928) [1] was a French music publisher and composer, sometimes under the pseudonym J. Samm.The family's publishing house, Éditions Durand, published works by many of Durand's contemporaries, including Claude Debussy, Paul Dukas, Gabriel Fauré, Jacques Ibert, Darius Milhaud, Maurice Ravel and Camille Saint-Saëns.
On the occasion of the centenary of Debussy's death, Bärenreiter published in 2018 a critical edition of some of his piano music, including Pour le piano. [8] The publisher remarked that the "improvisational and fugitive" parts of Debussy's compositions were "governed by a precisely calibrated formal design" that left "little room for chance". [8]
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]