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When thou is the grammatical subject of a finite verb in the indicative mood, the verb form typically ends in -(e)st (e.g., "thou goest", "thou do(e)st"), but in some cases just -t (e.g., "thou art"; "thou shalt"). Originally, thou was simply the singular counterpart to the plural pronoun ye, derived from an ancient Indo-European root.
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]
Shakespeare famed for his mastery of wordplay and double-meaning, such as in Sonnet 11's opening line, "As fast as thou shalt wane so fast thou grow'st." This echoes the maxim, "Youth waineth by increasing," an aside of the elderly, with which Shakespeare will conclude his series of sonnets to the young man at Sonnet 126 .
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Later in the same book, an essay from Shakespeare critic Garret A. Sullivan Jr. describes the relationship between the speaker and the young man which is seen in sonnet four, saying "The young man of the procreation sonnets, then, is the object of admonition; the poet (speaker) urgently seeks to make him change his ways, and, as we shall see ...
Devouring Time, blunt thou the lion’s paws, And make the earth devour her own sweet brood; Pluck the keen teeth from the fierce tiger’s jaws, And burn the long-liv’d phœnix in her blood; Make glad and sorry seasons as thou fleets, And do whate’er thou wilt, swift-footed Time, To the wide world and all her fading sweets;
Sonnet 7 is a typical English or Shakespearean sonnet.This type of sonnet consists of three quatrains followed by a couplet, and follows the form's rhyme scheme: abab cdcd efef gg.
Shakespeare's sonnets conform to the English or Shakespearean sonnet form. The form consists of fourteen lines structured as three quatrains and a couplet, rhyming abab cdcd efef gg and written in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.