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When thou is the grammatical subject of a finite verb in the indicative mood, the verb form typically ends in -(e)st (e.g. "thou goest", "thou do(e)st"), but in some cases just -t (e.g., "thou art"; "thou shalt"). Originally, thou was simply the singular counterpart to the plural pronoun ye, derived from an ancient Indo-European root.
The sentence consists of three parallel clauses, called parallel because each has the same word order: verb, object, subject in the original Latin; subject, verb, object in the English translation. The verb "conquered" is a common element in each clause.
Although it is one of the most famous quotes from the work of Shakespeare, no printing in Shakespeare's lifetime presents the text in the form known to modern readers: it is a skillful amalgam assembled by Edmond Malone, an editor in the eighteenth century. Romeo and Juliet was published twice, in two very different versions.
Shakespeare famed for his mastery of wordplay and double-meaning, such as in Sonnet 11's opening line, "As fast as thou shalt wane so fast thou grow'st." This echoes the maxim, "Youth waineth by increasing," an aside of the elderly, with which Shakespeare will conclude his series of sonnets to the young man at Sonnet 126 .
According to Helen Vendler, author of The Art of Shakespeare's Sonnets, there is a parallel of phrases in the same lines that represent unity and divisions respectively. For example, the phrase, "we two" is followed by, "must be twain", meaning must be separate. Also, "Our two loves" is followed by "separable spite". [8]
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
Devouring Time, blunt thou the lion’s paws, And make the earth devour her own sweet brood; Pluck the keen teeth from the fierce tiger’s jaws, And burn the long-liv’d phœnix in her blood; Make glad and sorry seasons as thou fleets, And do whate’er thou wilt, swift-footed Time, To the wide world and all her fading sweets;
While Shakespeare's versification maintains the English sonnet form, Shakespeare often rhetorically alludes to the form of Petrarchan sonnets with an octave (two quatrains) followed by a sestet (six lines), between which a "turn" or volta occurs, which signals a change in the tone, mood, or stance of the poem. The first line exemplifies a ...