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A 1521 Italian language edition of De architectura, translated and illustrated by Cesare Cesariano Manuscript of Vitruvius; parchment dating from about 1390. De architectura (On architecture, published as Ten Books on Architecture) is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus ...
Vitruvius is the author of De architectura, libri decem, known today as The Ten Books on Architecture, [27] a treatise written in Latin on architecture, dedicated to the emperor Augustus. In the preface of Book I, Vitruvius dedicates his writings to giving personal knowledge of the quality of buildings to the emperor.
In his discussion, Alberti includes a wide variety of literary sources, including Plato and Aristotle, presenting a concise version of the sociology of architecture. De re aedificatoria is subdivided into ten books and includes: Book One: Lineaments; Book Two: Materials; Book Three: Construction; Book Four: Public Works; Book Five: Works of ...
[10] [7] (1545) Edited an edition of Ermolao Barbaro's Compendium scientiae naturalis. (1556) An Italian translation with extended commentary of Vitruvius' Ten Books of Architecture, published as Dieci libri dell'architettura di M. Vitruvio. [2] [8] The work was dedicated to Cardinal Ippolito II d'Este, patron of the Villa d'Este at Tivoli. [6] [7]
File:Part of Vitruvius's De Architectura in the alphabet of the Ancients.pdf. Add languages. Page contents not supported in other languages.
An illustration of the primitive hut by Charles Dominique Eisen was the frontispiece for the second edition of Laugier's Essay on Architecture (1755). The frontispiece was arguably one of the most famous images in the history of architecture; it helped to make the essay more accessible and consequently it was more widely received by the public.
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The order of words chosen by Vitruvius, with structural integrity coming before the utility, can be explained in two ways. Either the emphasis on firmness was driven by an understanding of architecture as an "art of building", or by the fact that buildings frequently outlive their initial purpose, so "functions, customs, ... and fashions ... are only transitory" (Auguste Perret), and ...
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