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Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...
The fylfot or fylfot cross (/ ˈ f ɪ l f ɒ t / FILL-fot) and its mirror image, the gammadion, are types of swastika associated with medieval Anglo-Saxon culture. It is a cross with perpendicular extensions, usually at 90° or close angles, radiating in the same direction.
The coffin is also an example of an object created at the heart of the Anglo-Saxon church that uses runes. A leading expert, Raymond Ian Page, rejects the assumption often made in non-scholarly literature that runes were especially associated in post-conversion Anglo-Saxon England with Anglo-Saxon paganism or magic. [3]
Anglo-Saxon seaxes were commonly constructed using pattern-welding, even in late Anglo-Saxon England when this practice had become uncommon for swords. [55] The blades were sometimes decorated with incised lines or metal inlays, [ 56 ] and a number of examples contain inscriptions bearing the name of the owner or maker. [ 57 ]
In modern times, the term "Anglo-Saxons" is used by scholars to refer collectively to the Old English speaking groups in Britain. As a compound term, it has the advantage of covering the various English-speaking groups on the one hand, and to avoid possible misunderstandings from using the terms "Saxons" or "Angles" (English), both of which terms could be used either as collectives referring ...
The earliest usage of the white dragon as a symbol of the Anglo-Saxons is found in the Historia Brittonum. The relevant story takes place at Dinas Emrys when Vortigern tries to build a castle there. Every night, unseen forces demolish the castle walls and foundations.
As one scholar notes regarding encounters between the Christian Anglo-Saxons and the invading pagan Scandinavians: The Anglo-Saxons probably thought that the banners were imbued with the evil powers of pagan idols, since the Anglo-Saxons were aware of the significance of Óðinn and his ravens in Norse mythology. [1]
Harold Godwinson, last Anglo-Saxon king of England, as depicted in the Bayeux Tapestry. He is shown wearing a tunic, cloak, and hose. Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It ...