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With the technology of halogen lamps improving, the 80s and early 90s saw a new breed of DJ light starting to evolve. This was a projection-style DJ light that used a halogen lamp and a mirror to reflect the light. A halogen lamp shines onto a mirror via a filter gel sheet to create the color and sometimes via a gobo wheel to create shapes. In ...
Squire later set up a disco equipment supply service called Squire Light & Sound that sold disco sound and lighting systems to budding DJs, both in the United Kingdom and abroad. [3] The Squire's Company became the biggest name in UK DJ entertainment in the 60s, 70s and 80s before Roger retired from the business 1988.
This page was last edited on 28 November 2023, at 23:44 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Lawrence Philpot (July 20, 1954 – November 8, 1992), [3] known as Larry Levan (/ l É™ ˈ v æ n / lÉ™-VAN), was an American DJ best known for his decade-long residency at the New York City night club Paradise Garage, which has been described as the prototype of the modern dance club.
Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture". [4] [5] Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way.
Nat D. Williams was the first African American disc jockey on WDIA in Memphis with his popular Tan Town Jamboree show. African American radio DJs found it necessary to organize in order to gain opportunities in the radio industry, and in the 1950s Jack Gibson of WERD formed the National Jazz, Rhythm and Blues Disc Jockey Association. The group ...
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