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The peaceful expression and graceful figure of the Buddha statue that he made completed a Japanese style of sculpture of Buddha statues called "Jōchō yō" (Jōchō style, 定朝様) and determined the style of Japanese Buddhist statues of the later period. His achievement dramatically raised the social status of busshi (Buddhist sculptor) in ...
The peaceful expression and graceful figure of the Buddha statue that he made completed a Japanese style of sculpture of Buddha statues called Jōchō yō ('Jōchō style', 定朝様) and determined the style of Japanese Buddhist statues of the later period. His achievement dramatically raised the social status of busshi (Buddhist sculptor) in ...
The Jizō was sculpted by Inpa sculptor Intan (院湛), whose only known for two other sculptures: a seated Jizō at Joki-in in Mount Kōya, and a Kannon statue at Akishino-dera. [1] [2] The sculpture at Kōfuku-ji during its sale in 1907. To the far left is the Boston Miroku, carved by Kaikei.
The sculpture was designated an Important Cultural Property in 17 April 1902 during the Meiji era. Almost fifty years later, it gained the status of National Treasure on 9 June 1951, under registration number 00002. [6] As a nationally recognized piece of art, it has appeared in many textbooks on the history of Japanese art. [3]
The term Nyorai (lit. "thus-come one") is an epithet for the enlightened Buddhas that occupy the highest rank in the Japanese Buddhist pantheon. [9] In the Mandala of the Two Realms, the principle mandala for ritual activity and contemplation in Shingon Buddhism, Dainichi Nyorai appears in the centre of both the Diamond Realm and the Womb Realm ...
Tori's works exemplify Japanese Buddhist art during the Asuka period. [2] His style ultimately derives from that of the Chinese Wei kingdom of the late 4th to 6th century. . This style was intended for sculpting rock in caves, and even though Tori and his assistants sculpted in clay for bronze casting, his pieces reflect the Chinese front-oriented design and surface flatness.
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