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So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
Field of view is the area of the inspection captured on the camera’s imager. The size of the field of view and the size of the camera’s imager directly affect the image resolution (one determining factor in accuracy). Working distance is the distance between the back of the lens and the target object.
On any 35 mm film camera, a 28 mm lens is a wide-angle lens, and a 200 mm lens is a long-focus lens. Because digital cameras have mostly replaced film cameras and the image sensor size that also determines the angle of view is not standardized as the film size was, there is no uniform relation between the lens focal length and the angle of view ...
At small focal lengths (bigger field of view), the subject appears "foreshortened". Camera lens focal lengths are usually specified in millimetres (mm), but some older lenses are marked in centimetres (cm) or inches. Focal length (f) and field of view (FOV) of a lens are inversely proportional.
As a result, smaller formats will have a deeper field than larger formats at the same f-number for the same distance of focus and same angle of view since a smaller format requires a shorter focal length (wider angle lens) to produce the same angle of view, and depth of field increases with shorter focal lengths. Therefore, reduced–depth-of ...
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop.
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For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...
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