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Two lens-sensor combinations with the same 35 mm equivalent focal length are expected to have the same angle of view. Most commonly, the 35 mm equivalent focal length is based on equal diagonal angle of view. [1] This definition is also in the CIPA guideline DCG-001. [2] Alternatively, it may sometimes be based on horizontal angle of view.
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
An APS-C type lens often does not have the coverage to cast light on the entirety of a 35mm sensor, causing dark corners in the images. [2] One common misconception about lenses is that focal length determines the angle of view for a lens, when in reality it is a combination of focal length, lens coverage, and sensor size. A lens of a certain ...
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
[6] A wide-angle lens has a shorter focal length and includes more of the viewed scene than a normal lens; a telephoto lens has a longer focal length and captures a small portion of the scene, making it seem closer. Lenses are not labeled or sold according to their angle of view, but rather by their focal length, usually expressed in millimeters.
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view. Even some new fixed-lens cameras like the Sony ZV-1 II are switching from a standard zoom lens to a wider zoom lens that covers ...
For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...
For example, a 28 mm lens on the DSLR (given a crop factor of 1.5) would produce the angle of view of a 42 mm lens on a full-frame camera. So, to determine the focal length of a lens for a digital camera that will give the equivalent angle of view as one on a full-frame camera, the full-frame lens focal length must be divided by the crop factor.
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