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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Stained-glass windows are usually made by joining pieces of coloured glass with H-shaped lead cames, a cold process. [ 9 ] [ 10 ] Here, however, the glaziers used glass fusing : pieces of coloured glass (60-80 per pane ) were fitted into a mosaic on a piece of clear glass, and the stack was then gently heated to soften and fuse the layers ...
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Media in category "Stained glass" This category contains only the following file. Francesc Labarta - Stained glass triptych - Google Art Project.jpg 5,374 × 3,831; 6.16 MB
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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