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  2. Vocal warm-up - Wikipedia

    en.wikipedia.org/wiki/Vocal_warm-up

    A good vocal warm-up should move the singer/actor from the spoken register (small pitch range, small dynamic range, colloquial diction) into the singing register (large pitch range, large dynamic range, and diction specific to the demands of the role or piece). This is often the largest and most complex part of the vocal warm-up, and requires a ...

  3. Vocal range - Wikipedia

    en.wikipedia.org/wiki/Vocal_range

    Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.

  4. Estill Voice Training - Wikipedia

    en.wikipedia.org/wiki/Estill_Voice_Training

    Estill Voice Training (often abbreviated EVT) is a program for developing vocal skills based on analysing the process of vocal production into control of specific structures in the vocal mechanism. [1]

  5. Vocal Coach Eric Vetro's New Course to 'Improve' Your Voice ...

    www.aol.com/vocal-coach-eric-vetros-course...

    Vetro's BBC Maestro course features advice from his star students Sabrina Carpenter, John Legend and Marissa Janet Winokur

  6. Transgender voice therapy - Wikipedia

    en.wikipedia.org/wiki/Transgender_voice_therapy

    "Voice therapy" or "voice training" refers to any non-surgical technique used to improve or modify the human voice. [1] [2] Because voice is a social cue to a person's sex and gender, [3] transgender people may frequently undertake voice training or therapy as a part of gender transitioning in order to make their voices sound more typical of their gender, and therefore increase their ...

  7. Tessitura - Wikipedia

    en.wikipedia.org/wiki/Tessitura

    Hence, in musical notation, tessitura is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used.

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