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The Veneralia was an ancient Roman festival celebrated April 1 (the Kalends of Aprilis) in honor of Venus Verticordia (" Venus the changer of hearts") and Fortuna Virilis ("Manly" or "Virile Fortune"). The cult of Venus Verticordia was established in 220 BC, just before the beginning of the Second Punic War, in response to advice from a ...
In ancient Roman religion, Fortuna Virilis was an aspect or manifestation of the goddess Fortuna who despite her name (virilis, "virile, manly") was cultivated by women only. She shared a festival day with Venus Verticordia on April 1 (Kalendae Aprilis), which first appears with the name Veneralia in the mid-4th century AD. [1] Temple of ...
Venus Verticordia ("Changer of Hearts" [ 1 ] or "Heart-Turner" [ 2 ]) was an aspect of the Roman goddess Venus conceived as having the power to convert either virgins or sexually active women from dissolute desire (libido) [ 3 ] to sexual virtue (pudicitia). [ 4 ] Under this title, Venus was especially cultivated by married women, and on 1 ...
Dimensions. 217 cm × 350 cm (85 in × 140 in) Location. Kunsthistorisches Museum, Vienna. The Feast of Venus is an oil on canvas painting by Flemish painter Peter Paul Rubens, created in 1635–1636, now in the Kunsthistorisches Museum in Vienna. It is a fanciful depiction of the Roman festival Veneralia celebrated in honor of Venus Verticordia.
Venus and Cupid (in Italian) c. 1491–1492: Palazzo Medici-Riccardi, Florence Marble 43,5x58 cm Gallino Crucifix (in Italian) c. 1495–1497: Bargello Museum, Florence Wood 41,3×39,7 cm Young Saint John the Baptist [5] c. 1495–1497: Sacred Chapel of El Salvador, Úbeda: Marble height 130 cm Crucifix of Montserrat (in Spanish) c. 1497–1498
Venus Obsequens. Venus Obsequens ("Compliant Venus" [1]) was the first Venus for whom a shrine (aedes) was built in ancient Rome. [2][3][4] Little is known of her cult [5] beyond the circumstances of her temple founding and a likely connection to the Vinalia Rustica, an August wine festival.
National Gallery, London. Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. [1] Scholars do not know for certain what the painting depicts.
Louvre, Paris. The Venus de Milo or Aphrodite of Melos[b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed ...