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Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c.1488/90[ 1 ] – 27 August 1576), [ 2 ] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [ a ] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [ 4 ]
Literature. v. t. e. Ancient Egyptian literature was written with the Egyptian language from ancient Egypt 's pharaonic period until the end of Roman domination. It represents the oldest corpus of Egyptian literature. Along with Sumerian literature, it is considered the world's earliest literature.
v. t. e. The Early Dynastic Period, also known as Archaic Period or the Thinite Period (from Thinis, the hometown of its rulers), [ 1 ] is the era of ancient Egypt that immediately follows the unification of Upper and Lower Egypt in c.3150 BC. It is generally taken to include the First Dynasty and the Second Dynasty, lasting from the end of the ...
It is as if Titian in these human forms would symbolise the struggles of the forces of nature. In drawing the masses of rock the remembrance of the mountains of his early home no doubt assisted him. [9] Charles Ricketts describes the two surviving pictures by Titian: In these Titian reverts to the bold foreshortening of his Santo Spirito ...
The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after The Worship of Venus (1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings.
Titian was furious, and eventually got the papal nuncio in Venice to instruct the friars to return the painting to him, in a decree of 1 March 1575. Titian now planned once again to be buried in the church in Pieve di Cadore, with the painting over the high altar, and once the painting was back in his studio he extended it to fit the space ...
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...