Ads
related to: classical mythology in renaissance artebay.com has been visited by 1M+ users in the past month
Search results
Results from the WOW.Com Content Network
Racine reworked the ancient myths – including those of Phaedra, Andromache, Oedipus and Iphigeneia – to new purpose. [ 3] Francisco Goya, The Rape of Europa, 1772. In the 18th century, the philosophical revolution of the Enlightenment spread throughout Europe. It was accompanied by a certain reaction against Greek myth; there was a tendency ...
Bacchus (Michelangelo) Bacchus. (Michelangelo) Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and represents Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness. Commissioned by Raffaele Riario, a ...
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...
Classical mythology. Classical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought, is one of the major survivals of classical antiquity throughout later Western culture. [1]
Alessandro di Mariano di Vanni Filipepi (c. 1445[1] – May 17, 1510), better known as Sandro Botticelli (/ ˌbɒtɪˈtʃɛli / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was ...
As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity, as was the size and prominence of a nude female figure in the Birth. It used to be thought that they were both commissioned by the same member of the Medici family, but this is now uncertain.
They are among the most famous paintings in the world, and icons of the Italian Renaissance; of the two, the Birth is even better known than the Primavera. [5] As depictions of subjects from classical mythology on a very large scale, they were virtually unprecedented in Western art since classical antiquity. [6]
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...
Ads
related to: classical mythology in renaissance artebay.com has been visited by 1M+ users in the past month