Search results
Results from the WOW.Com Content Network
Solfège. In music, solfège (/ ˈsɒlfɛʒ /, French: [sɔlfɛʒ]) or solfeggio (/ sɒlˈfɛdʒioʊ /; Italian: [solˈfeddʒo]), also called sol-fa, solfa, solfeo, among many names, is a mnemonic used in teaching aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes used ...
Tonic sol-fa. Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Ann Glover (1785–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems. It uses a system of musical notation based on movable do solfège, whereby every note is ...
Solmization. Solmization is a mnemonic system in which a distinct syllable is attributed to each note of a musical scale. Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.
Many of these systems seek to improve upon traditional notation by using a "chromatic staff" in which each of the 12 pitch classes has its own unique place on the staff. An example is Jacques-Daniel Rochat's Dodeka music notation. [31] [32] These notation systems do not require the use of standard key signatures, accidentals, or clef signs ...
Despite the various inconsistencies seen in the von Kries coefficient law, the law is widely used in many color and vision applications and papers. For example, many chromatic adaptation platforms (CATs) are based on the von Kries coefficient law. [8] It has been used in many applications, especially in many psychophysical research.
Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.
In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. [1] In the movable do solfège system, the supertonic note is sung as re. The triad built on the supertonic note is called the supertonic chord. In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii ...
The term note can refer to a specific musical event, for instance when saying the song "Happy Birthday to You", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when saying "the song begins with the same note repeated twice.