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Sanskrit plays were very popular and were staged in ancient times all over India. Now the only surviving ancient Sanskrit drama theatre is Koodiyattam, which is preserved in Kerala by the Chakyar community. This form of Sanskrit drama is thought to be at least 2000 years old and is one of the oldest living theatrical traditions in the world.
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. [1][2] Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of Nritya, which is a Sanskrit word for drama ...
About 3 decades later, Horace Hayman Wilson published the first major English survey of Sanskrit drama, including 6 full translations (Mṛcchakatika, Vikramōrvaśīyam, Uttararamacarita, Malatimadhava, Mudrarakshasa, and Ratnavali). These 7 plays — plus Nagananda, Mālavikāgnimitram, and Svapnavasavadattam (the text of which was not ...
Nagananda (Joy of the Serpents) is a Sanskrit play attributed to emperor Harsha (ruled 606 C.E. - 648 C.E.).. Nagananda is among the most acclaimed Sanskrit dramas. Through five acts, it tells the popular story of a prince of divine magicians (vidyādharas) called Jimútaváhana, and his self-sacrifice to save the Nagas.
In Koodiyattam, the only surviving ancient Sanskrit theatre tradition, prominent in the state of Kerala on India, performances of Kālidāsa's plays are rare. However, Internationally recognised Kutiyattam artist and Natyashastra scholar Nātyāchārya Vidūshakaratnam Padma Shri Guru Māni Mādhava Chākyār has choreographed a Koodiyattam ...
The title of the text is composed of two words, "Nāṭya" and "Shāstra". The root of the Sanskrit word Nāṭya is Nata (नट) which means "act, represent". [12] The word Shāstra (शास्त्र) means "precept, rules, manual, compendium, book or treatise", and is generally used as a suffix in the Indian literature context, for knowledge in a defined area of practice.
Several techniques and methods presented in the Natya Shastra and Dasharupakam are very much in use in today's theatre. The author starts with salutations, among others, to Bharata the author of Natya Shastra, whose detailed exposition he bases his work on. He however in his own words says that he has attempted to present the same in an ordered ...
The Nāṭya Śhāstra is notable as an ancient encyclopedic treatise on the performing arts, which has influenced dance, music and literary traditions in India. [1] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into ...