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Un Viaje por La Dimensión Latina - Herencia Latina - Pictures, History, Discography, References in Spanish; Book: El vinculo es la salsa - By Juan Carlos Baez; Book: Situating Salsa - Global Markets and Local Meanings in Latin Popular Music - By Lise Waxer; Book: The City of Musical Memory - By Lise Waxer
Oscar D'León was a long-time resident of the Parroquia Antímano section of Caracas, Venezuela [1] (his father was a laborer at the neighborhood cemetery). He had a strong interest in percussion ever since he was a child, improvising bass parts with his throat while playing Latin rhythms with his hands on any available surface.
Dimension Latina 78: 780 Kilos de Salsa; Raul Vale: Eres Toda Una Mujer; Raphael: El Cantor; Josue: Tengo La Sangre De Indio; Lucía Méndez: Lucía Méndez; Orchestra Harlow: La Raza Latina - A Salsa Suite; Pete "El Conde" Rodriguez: A Touch of Class; Los Pasteles Verdes: Mi Amor Imposible; Basilio: Demasiado Amor; Juan Bau: 5; José Velez ...
The late Cuban American singer Celia Cruz, known as the Queen of Salsa, will be the first Afro Latina to appear on the U.S. quarter. Cruz was one of the 20th century’s most celebrated Latin ...
La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist, vocalist, composer, and producer Rogelio Martínez, musicologists consider it an icon of this type of music.
He left El Gran Combo to pursue a career with Venezuelan group La Dimension Latina, [1] creating a feud between the two groups. After leaving El Gran Combo, he enjoyed considerable success on an international scale with his own orchestra, [ 1 ] touring Latin America and the United States several times.
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
La Lupe y su alma venezolana 1966; A mí me llaman La Lupe 1966; The King and I 1967 (with Tito Puente) The Queen does her own thing 1967; Two Sides of La Lupe 1968; Queen of Latin Soul 1968; La Lupe's era 1968; La Lupe is the Queen 1969; Definitely La Yi Yi Yi 1969; That genius called the Queen 1970; La Lupe en Madrid 1971; Stop, I'm free ...