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A list of American feature films released in 1933. Hollywood was dominated by the eight major studios Fox Film, MGM, Paramount, RKO, Warner Brothers, Columbia Pictures, Universal Pictures and United Artists. Cavalcade won Best Picture at the Academy Awards.
Bondage is a 1933 pre-Code American drama film directed by Alfred Santell and written by Arthur Kober and Doris Malloy. The film stars Dorothy Jordan, Alexander Kirkland, Merle Tottenham, Nydia Westman, Jane Darwell, and Edward Woods. The film was released on March 31, 1933, by Fox Film Corporation. [1] [2] [3]
Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and his Stooges (later the Three Stooges).
The Constant Woman (1933), also known as Auction in Souls and Hell in a Circus, is an American Pre-Code film directed by Victor Schertzinger. It is based on the 1913 Eugene O'Neill play Recklessness .
Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story (actually a play) [ 2 ] by Edith Fitzgerald and Robert Riskin .
The World Gone Mad (also released as The Public Be Hanged) is a 1933 American pre-Code crime film directed by Christy Cabanne and starring Pat O'Brien, Evelyn Brent and Neil Hamilton. [1] It was made on a low-budget by the independent Majestic Pictures , a Poverty Row forerunner of Republic Pictures .
January 27, 1933: She Done Him Wrong: All-Talking. Academy Award nominee for Best Picture February 3, 1933: Luxury Liner: All-Talking February 10, 1933: The Sign of the Cross: February 17, 1933: The Woman Accused: Hello, Everybody! February 24, 1933: From Hell to Heaven: Crime of the Century: March 2, 1933: He Learned About Women: March 3, 1933 ...
Lilly Turner is a 1933 American pre-Code melodrama directed by William A. Wellman, starring Ruth Chatterton and produced by First National Pictures.It is based on the 1932 play of the same name by Phillip Dunning and George Abbott.