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Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson .
Papoose Nelson was born in New Orleans, Louisiana and grew up in the Treme [2] neighborhood of the Sixth Ward of New Orleans, Louisiana. [3] His father, Walter "Black Walter" Nelson, Sr. (1904-1984) had a long career as a jazz and R&B guitarist, playing with Smiley Lewis, Isidore "Tuts" Washington, Brother Cornbread, George Lewis, Alcide "Slow Drag" Pavageau, Herb Morand, Alphonse Picou, and ...
Handy published his version with modified lyrics titled "Loveless Love". "St. James Infirmary Blues" is an American blues song and jazz standard of uncertain origin. Louis Armstrong made the song famous in his 1928 recording on which Don Redman was credited as composer; later releases gave the name Joe Primrose, a pseudonym of Irving Mills.
Doyle Dykes (born May 23, 1954) is an American country acoustic guitarist from Jacksonville, Florida.Cited along with guitarists such as Tommy Emmanuel as one of the best fingerstyle guitarists in the world, [1] [2] he is also known for his capability of playing proficiently with a wide range of different guitar tunings.
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William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. [1] [2] He was one of the most influential songwriters in the United States. [3]
"Death Letter", also known as "Death Letter Blues", is the signature song of the Delta blues musician Son House. It is structured upon House's earlier recording "My Black Mama, Part 2" from 1930. House's 1965 performance was on a metal-bodied National resonator guitar using a copper slide. One commentator noted that it is "one of the most ...
Vrtacek took up guitar at the age of 11, and played in the band Dancing Lessons before starting Forever Einstein with Dancing Lessons drummer John Roulat. [3] Vrtacek claimed to be influenced by anything from rock, folk, jazz, blues, ska, punk, avant garde, classical, to Irish music.