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"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. [3] "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a ...
"Long Distance Call" originates in the song "Long Distance Moan", recorded in September 1929 by Blind Lemon Jefferson (Paramount #12852). [1] In the late 1940s and early 1950s, Muddy Waters was recording the type of music that helped the blues survive as a commercially viable type of music.
Muddy Waters' songs have been featured in long-time fan Martin Scorsese's movies, including The Color of Money, Goodfellas, and Casino. A 1970s recording of "Mannish Boy" was used in Goodfellas, Better Off Dead, Risky Business, and the rockumentary The Last Waltz. In 1988 "Mannish Boy" was also used in a Levi's 501 commercial and re-released in ...
Muddy Waters's original two-song singles recorded for Chess were later released on various "Best of" and anthology albums. [33] Over the years, many were repackaged with new titles and re-sequenced, [ 34 ] with the earlier versions going out-of-print. [ 35 ]
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts. The album is the first by Waters and the third by Chess on the long playing (or LP ...
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", [1] which was in turn inspired by Waters' and Willie Dixon's "Hoo
"I'm Ready" is a blues song written by Willie Dixon and first recorded by Muddy Waters in 1954. [1] It was a hit, spending nine weeks on the Billboard R&B chart where it reached number four. [2] The song became a blues standard and has been compared to "Hoochie Coochie Man", the standard also written by Dixon that Waters recorded earlier in ...
The song was one of Waters' last charting singles and appears on several of his compilation albums, including the 1965 album The Real Folk Blues. He later recorded "Forty Days and Forty Nights" for the 1969 Fathers and Sons album and the Authorized Bootleg: Live at the Fillmore Auditorium November 4–6, 1966 album released in 2009.
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