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"Rise Up, Shepherd, and Follow" is a song telling the story of Christmas morning, describing a "star in the East" that will lead to the birthplace of Christ. The title derives from a lyric repeated throughout the song. Depending on how the song is arranged and performed, it is known variously as a spiritual, hymn, carol, gospel song, or folk song.
"Glory, Glory" (also known as "When I Lay My Burden Down", "Since I Laid My Burden Down", "Glory, Glory, Hallelujah" and other titles) is an American spiritual song, which has been recorded by many artists in a variety of genres, including folk, country, blues, rock, and gospel.
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
"Wasted Years" is a 1960 gospel song by Wally Fowler. The song was written by Albert Williams. Fowler is pianist with the John Daniel Quartet. [1] [2] Recordings
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.
O What a Savior" is a Southern gospel song written by the Free Will Baptist musician Marvin P. Dalton in 1948. The first line is "Once I was straying in sin's dark valley" and the chorus starts "O what a Savior".
The song generally follows a seven-bar or an eight-bar blues arrangement and has been compared to "Sitting on Top of the World". [10] McDowell uses lyrics closer to Davis' 1962 rendition, [10] but adds a haunting slide guitar line that doubles the vocal. [11] A verse from the song is inscribed on his headstone: [12]
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