Ads
related to: 16th century chinese artThe go-to Web boutique for the design savvy - ArchitecturalDigest.com
Search results
Results from the WOW.Com Content Network
Wen Zhengming (1470–1559) developed the style of the Wu school in Suzhou, which dominated Chinese painting during the 16th century. [27] Dong Qichang (1555–1636) further influenced East Asian art history by absorbing Chan Buddhism ideas and putting forward the "Southern and Northern Schools" theory. [28]
Chinese mother of pearl lacquer box with peony decor, Ming dynasty, 16th century, Museum für Lackkunst, Münster (Germany) Coromandel lacquer screen with figures in pavilions and a main border with a "hundred antiques".
Court Ladies of the Former Shu, Tang Yin, 16th century, Palace Museum, Beijing. Many artists, such as Tang Yin (1470–1523), Qiu Ying (1525–1593), and Xu Wei (1521–1593), were influenced by the Wu school and worked in and around Suzhou. [28] However, they were not officially part of the school.
Bird Peddler, 15th-16th century. Zhejiang School of Painting (浙派, full name in Chinese: 浙江畫派) Jiangxia School (江夏畫派) Wulin School or Post-Zhejiang School (武林畫派, or 後浙派) Dai Jin , Wu Wei (吳偉), Lan Ying (Lan family) The core place for this school was Hangzhou in Zhejiang Province.
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.
This is a non-diffusing parent category of Category:16th-century Chinese women artists The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Subcategories
Tang Yin is one of the most notable painters in the history of Chinese art. He is one of the "Four Masters of Ming dynasty” (Ming Si Jia), which also includes Shen Zhou (1427–1509), Wen Zhengming (1470–1559) and Qiu Ying (c. 1495–1552). His influence on the art of contemporaries, like Cai Han, is notable. [7]
In the 16th century, numerous other painters would use Chinese porcelain in their paintings, especially Dutch ones. This trend was related to the direct importation of Chinese porcelain to Europe, through what is known as "Carrak" trade, hence the name Kraak porcelain. [2] [3]
Ads
related to: 16th century chinese artThe go-to Web boutique for the design savvy - ArchitecturalDigest.com