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Bògòlanfini or bogolan (Bambara: bɔgɔlanfini; "mud cloth"; sometimes called mud-dyed cloth [1] [2] or mud-painted cloth [3] in English) is a handmade Malian cotton fabric traditionally dyed with fermented mud.
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
African textiles can be used as historical documents. [31] cloth can be used to commemorate a certain person, event, and even a political cause. Much of the history conveyed had more to do with how others impacted the African people, rather than about the African people themselves.
Diarra is a textile artist known for her bògòlanfini, or mud cloth. While the popularity of mudcloth and the international market for it has led to a simplification of traditional techniques in pursuit of mass production, even among artisans, Diarra works in the traditional Beledougou style, which is distinct from the mud-cloth traditions of the Dogon people in Mali and from mud-cloth ...
Groupe Bogolan Kasobané is an artist collective from Mali, West Africa with a studio in Bamako and a gallery in Ségou. [1] Innovators and pioneers in the bogolan fine arts movement, [2] the Groupe traveled throughout Mali, researching the bogolan traditions and practices, including the symbolic alphabet, as well as the traditional structure, uses, and colors encoded in bogolan cloths.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [16] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Before the pigments are applied, the walls are first sized using laterite (aja upa), a mud slip that fills in cracks in the wall. The surface is then further burnished using fine pebbles (mkpulu nwko). A final layer of primer, a red mud slip, is then applied to the wall in order to create a three-dimensional surface to work on.
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