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Glass mosaic is a traditional Burmese mosaic made with pieces of glass, used to embellish decorative art, structures, and furniture. [1] Glass mosaic is typically divided into two subcategories, hman gyan si (မှန်ကြမ်းစီ) and hman nu si (မှန်နုစီ). The former is typically used to decorate the walls and ...
Loo tables were very popular in the 18th and 19th centuries as candlestands, tea tables, or small dining tables, although they were originally made for the popular card game loo or lanterloo. Their typically round or oval tops have a tilting mechanism , which enables them to be stored out of the way (e.g. in room corners) when not in use.
There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others. The Gothic and Rococo revival style were the most common styles to be seen in furniture during this time in ...
For example, a table top may have what is considered a "live edge" that allows you to see the original contours of the tree that it came from. It also often uses whole logs or branches including the bark of the tree. Rustic furniture is often made from pine, cedar, fir and spruce. Rustic furniture is usually very simple, handmade and oversized.
Marquetry was revived as a vehicle of Neoclassicism and a 'French taste' in London furniture, starting in the late 1760s. Cabinet-makers associated with London-made marquetry furniture, 1765–1790, include Thomas Chippendale and less familiar names, like John Linnell, the French craftsman Pierre Langlois, and the firm of William Ince and John ...
A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes.
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Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
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