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My Ladye Nevells Booke consists of 42 pieces for keyboard by William Byrd, widely considered [1] one of the greatest English composers of his time. Although the music was copied by John Baldwin, a singing man from St George's Chapel, Windsor Castle, who was also paid for copying music at the chapel in the 1580s, [2] the pieces seem to have been selected, organised and even edited and corrected ...
Originally the Notenbuch was a bound volume comprising forty-eight pages of blank music paper, with eight staves on each page. Inscribed with the words Pour le clavecin (French: For the harpsichord), it was presented to Nannerl on the occasion of her eighth name day on 26 July 1759 (or possibly her eighth birthday, which fell on the 30th or 31st day of the same month).
Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
One book of music from Rare Book Room, which contains digitized books of many types. Laborde Chansonnier – ca. 1470 – Unknown, (author) – France – Library of Congress, Music Division Rare Book Room of the Library of Congress: Lester S. Levy Collection of Sheet Music: 19th-century, American, minstrel music, popular music, war songs: 29,000
Bach Gesellschaft Ausgabe Vol. 14 (1866), p. 44: Book 1, Prelude No. 12 21st-century open source score edition of Book 1 (182 pages) Both books of the Well-Tempered Clavier were widely circulated in manuscript, but printed copies were not made until 1801, by three publishers almost simultaneously in Bonn, Leipzig and Zurich. [40]
Piano Concerto, op. 18, with baritone and male choir in last movement (1938) Ferruccio Busoni. Piano Concerto in D, op. 17, for piano and string orchestra (1878) Piano Concerto in C, op. 39 (1902-4), with male chorus; Indian Fantasy, op.44, for piano and orchestra; Konzert-Fantasie, op.32 (1888–89), for piano and orchestra
The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
Music for Piano 53–68, for piano solo or in an ensemble (May 1956) Music for Piano 69–84, for piano solo or in an ensemble (May 1956) Radio Music, for 1 to 8 performers using radios (May 1956) Winter Music, for piano (January 1957) For Paul Taylor and Anita Dencks, for piano (September 1957) Haiku, for any instruments or objects (January 1958)
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