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William Cowper (/ ˈ k uː p ər / KOO-pər; 15 November 1731 [2] / 26 November 1731 – 14 April 1800 [2] / 25 April 1800 ()) was an English poet and Anglican hymnwriter.. One of the most popular poets of his time, Cowper changed the direction of 18th-century nature poetry by writing of everyday life and scenes of the English countryside.
Francis Junius was the first to credit Cædmon, the 7th century Anglo-Saxon religious poet, as the author of the manuscript. Junius was not alone in suggesting that Cædmon was the author of the manuscript, as many others noticed the “book’s collective contents strikingly resembled the body of work ascribed by Bede to the oral poet Cædmon” (Remley 264).
The Dream of the Rood, a work of Christian epic poetry in Old English believed to date from the 7th century, preserved in the Vercelli Book; Heliand, an epic poem which retells the life of Jesus Christ in Old Saxon, alliterative verse, and like the story of a Pre-Christian Germanic tribal leader.
Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame places him among the leading English poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature.
Although Milton's Jesus is remarkably human, an exclusive focus on this dimension of his character obscures the divine stakes of Jesus's confrontation with Satan; Jesus emerges victorious, and Satan falls, amazed. An anecdote recounted by a Quaker named Thomas Ellwood provides some insight into Paradise Regained ' s development.
Joseph Medlicott Scriven, (10 September 1819 – 10 August 1886) was an Irish-born Canadian poet, best known as the writer of the poem which became the hymn "What a Friend We Have in Jesus". [ 1 ] Life
Messiah is a 'sacred eclogue' by Alexander Pope, composed in 1712. [1] It is based on the Fourth Eclogue of Virgil, and is an example of English Classicism's appropriation and reworking of the genres, subject matter and techniques of classical Latin literature.
The writer John Cowper Powys, an admirer, wrote that, "with the possible exception of Merope, Matthew Arnold's poetry is arresting from cover to cover—[he] is the great amateur of English poetry [he] always has the air of an ironic and urbane scholar chatting freely, perhaps a little indiscreetly, with his not very respectful pupils."