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Vimanas are structures over the sanctum of temples. In Northern India they are called sikharas. [5] In the Nagara style of architecture, the vimana is the sanctum (garbhagriha) of the temple housing the main deities and they are the tallest part of the entire temple. In many cases within South India, the vimanams are confused with gopurams.
The Sri Venkateswara Temple, Pittsburgh, inaugurated on June 8, 1977, and the Hindu Temple Society of North America in New York, consecrated on July 4, 1977, became the first Hindu temples in the U.S. built by Indian immigrants. In the 1980s and 1990s, temples were built in nearly all major metropolitan areas. [9] [10]
A gopuram or gopura (Tamil: கோபுரம், Telugu: గోపురం, Kannada: ಗೋಪುರ, Malayalam: ഗോപുരം) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, [1] and Sri Lanka.
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India: The Nellaiappar Temple, dedicated to Shiva, was built 2500–3000 years ago. The river Tamirabharani referred to by poets as "Porunai" flows round the city. One of the famous temples in India steeped in tradition and history and also known for its musical pillars and other brilliant sculptural splendor.
A seven-storey vimana. Vimana is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India. In typical temples of Odisha using the Kalinga style of architecture, the vimana is the tallest structure of the temple, as it is in the shikhara towers of temples in West and North India.
The temple now stands amidst fortified walls that were added after the 16th century. [6] [7] Built out of granite, the vimanam tower above the sanctum is one of the tallest in South India. [4] The temple has a massive colonnaded prakara (corridor) and one of the largest Shiva linga in India.
It is the 5th through 7th century CE when outer design and appearances of Hindu temples in north India and south India began to widely diverge. [128] Nevertheless, the forms, theme, symbolism and central ideas in the grid design remained same, before and after, pan-India as innovations were adopted to give distinctly different visual expressions.