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A folk-art allegorical map based on Matthew 7:13–14 Bible Gateway by the woodcutter Georgin François in 1825. The Hebrew phrase לא־תעזב נפשׁי לשׁאול ("you will not abandon my soul to Sheol") in Psalm 16:10 is quoted in the Koine Greek New Testament, Acts 2:27 as οὐκ ἐγκαταλείψεις τὴν ψυχήν μου εἰς ᾅδου ("you will not abandon my soul ...
In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
The fourth Orpheus was of Crotonia; flourished in the time of Pisistratus, about the fiftieth Olympiad, and is, I have no doubt, the same with Onomacritus, who changed the dialect of these hymns. He wrote Decennalia, and in the opinion of Gyraldlus the Argonautics, which are now extant under the name of Orpheus, with other writings called ...
The mortalist view of the intermediate state requires an alternative view of the Acts 2:27 and Acts 2:31, taking a view of the New Testament use of Hell as equivalent to use of Hades in the Septuagint and therefore to Sheol in the Old Testament. [33] William Tyndale and Martin Bucer of Strassburg argued that Hades in Acts 2 was merely a ...
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
In the Bible, Lot's wife is a figure first mentioned in Genesis 19. The Book of Genesis describes how she became a pillar of salt after she looked back at Sodom (the "looking taboo" motif in mythology and folklore). She is not named in the Bible, but is called Ado or Edith in some Jewish traditions.
Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.