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Call: "Shave and a Haircut", Response: "Two bits". Play ⓘ. In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response.
Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American women work songs incorporate the call and response format, a format that fosters dialogue. In contemporary African-American worship services, where call and response is pervasive, a pastor will call out to his ...
"Day-O (The Banana Boat Song)" is a traditional Jamaican folk song. The song has mento influences, but it is commonly classified as an example of the better known calypso music. It is a call and response work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has ...
"Call and Answer" is a song by Canadian musical group Barenaked Ladies. It was the third single from their 1998 album Stunt . For its release, the song was both remixed and edited into a radio mix that cut from the second verse to the third chorus, skipping a chorus, an instrumental break and the third verse.
Lining out or hymn lining, called precenting the line in Scotland, is a form of a cappella hymn-singing or hymnody in which a leader, often called the clerk or precentor, gives each line of a hymn tune as it is to be sung, usually in a chanted form giving or suggesting the tune.
The 2002 song "Aserejé" by Las Ketchup based its chorus on the 1979 song "Rapper's Delight" by The Sugarhill Gang. [29] Travis Tritt wrote and released the song "Strong Enough to Be Your Man" in 2002 in response to Sheryl Crow's "Strong Enough" (1994). KJ-52 released the song "Dear Slim" (2002) in response to Eminem's song "Stan" (2000). [30]
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Billboard called the single "pure pop joy." [1] Ed Masley of The Arizona Republic listed the song as the Gin Blossom's 15th-best song on his list of the band's top 30 tracks, writing that the song "certainly holds up as a pure pop song, from its yearning chorus, as a call and response between Wilson (who wrote the song with Valenzuela) and his bandmates, to a brilliantly constructed lead ...