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It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End". The middle bridge—featuring brass instruments, electric guitar, and vocals—reprises the beginning of "You Never Give Me Your Money", but with different lyrics.
The cross-fade from "You Never Give Me Your Money" into the next track, "Sun King", proved problematic, and the group made several attempts before deciding to merge the songs via an organ note. [12] McCartney completed the instrumental overdubs on 31 July by adding a bass guitar part and additional piano overdubs, [ 13 ] including some punched ...
You Never Give Me Your Money is a book by author and music journalist Peter Doggett about the break-up of the English rock band the Beatles and its aftermath. [1] The book was published in the United Kingdom by The Bodley Head in September 2009, [ 2 ] and by HarperStudio in the United States in 2010. [ 3 ]
McCartney was the lead vocalist. He begins the song in a soft tone appropriate for a lullaby, with piano, bass guitar, and string section accompaniment.The drums come in on the line "Golden slumbers fill your eyes", and McCartney switches to a stronger tone, both of which emphasise the switch to the refrain.
And the fact of the matter is, Paul has said to me, ‘There are four Beatles, and only the four of us knew what it was like to be in the Beatles. No one else did, and no one else ever will ...
[On Rubber Soul] the Beatles demonstrated an ability to reach beyond the confines of acceptable rock and roll techniques and bring to the studio truly innovative ideas such as layering bass and fuzz-bass guitars, creating rhymes in different languages, mixing modes on a single song, utilizing tape manipulation to give instruments entirely new ...
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).
“A lot of times we would record stuff, and Eric would go home, write the lyrics, and come back and put them in,” Navarro said, “so there were pieces of music that didn’t have finalized ...