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A peach glass over milk glass. [23] Gold overlay 1949 Milk glass with an amber overlay. [25] Green overlay 1949-53 Milk glass covered in green glass. [25] Ivy 1949-52 Dark green over white glass. [25] Rose overlay 1943-48 Milk glass cased with light pink glass. [25] Shelly Green overlay 1967 Colonial green over milk glass, used only on lamps. [23]
Milk glass pieces can range in value from $15-$25 for a small milk glass vase to hundreds of dollars for a large punchbowl set with matching cups in a highly decorative pattern in excellent ...
The glass used was crystal and seven colors of glass: amber, blue, green, pink, amethyst, brown, and ruby. Among Jamestown stemware, ruby is valued higher than other colors by collectors. [80] Among the milk glass patterns, Vintage was used for tableware and a few types of stemware from 1958 to 1965. [81]
The pattern was used for coffee sets (bowl, cup and saucer, platter, sugar, creamer) using an opaque glass of custard color with decorated bands. A milk glass version was called Orange Blossom. [60] Pyramid is a pattern name used by collectors for the Indiana Glass pattern number 610. This pattern was made from 1926 to 1932.
From the 1920s to the 1950s it was estimated that 90 percent of the production was milk glass. [1] Westmoreland produced carnival glass beginning in 1908 and reissued novelties and pattern glass in carnival treatments in the 1970s until the plant closed in 1984. [3] Westmoreland also produced high quality hand-decorated cut glass. [1]
The factory provided fine quality glass tableware and decorative glass figurines. Both pressed and blown glassware were made in a wide variety of patterns and colors. The company also made glass automobile headlights and Holophane Glassware lighting fixtures. The company was operated by Heisey and his sons until 1957, when the factory closed.
This left Wilhelm Kielblock, a noted German stained glass designer and painter, [2] and Elmore Helf, a business man, to reorganize the company. Elmore Helf was not the first member of the Helf family to run a stained glass studio, his father, Henry Helf, was shop foreman for Von Gerichten Art Glass Company in Columbus, Ohio. [3]
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
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