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Cross-platform open-source desktop search engine. Unmaintained since 2011-06-02 [9]. LGPL v2 [10] Terrier Search Engine: Linux, Mac OS X, Unix: Desktop search for Windows, Mac OS X (Tiger), Unix/Linux. MPL v1.1 [11] Tracker: Linux, Unix: Open-source desktop search tool for Unix/Linux GPL v2 [12] Tropes Zoom: Windows: Semantic Search Engine (no ...
This page was last edited on 9 December 2018, at 19:35 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Genius is an American digital media company founded on August 27, 2009, by Tom Lehman, Ilan Zechory, and Mahbod Moghadam.The company is known for its eponymous website that serves as a database for song lyrics, news stories, sources, poetry, and documents, in which users can provide annotations and interpretations for.
Musipedia's search engine works differently from that of search engines such as Shazam. The latter can identify short snippets of audio (a few seconds taken from a recording), even if it is transmitted over a phone connection. Shazam uses Audio Fingerprinting for that, a technique that makes it possible to identify recordings.
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology. A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [ 1 ]
This page was last edited on 18 November 2018, at 08:37 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The term "techno-pop" was coined by Yuzuru Agi in his critique of Kraftwerk's The Man-Machine in 1978 and is considered a case of multiple discovery of naming. Hence, the term can be used interchangeably with "synth-pop", but is more frequently used to describe the scene of Japan. [ 14 ]