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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
Théâtre du Jorat, Mézières, where the dramatic psalm was first performed. Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets ...
1911 : H 110a Orgue dans l'église for organ, music used in Marthe Richard au service de la France, H 110 1937 : H 126a Hymne du bâtiment, music from Les bâtisseurs, H 126 1939 : H 137 Possèdes-tu, pauvre pécheur for unison chorus, harmonium or piano 1945 : H 183b Chant de la délivrance for voices and piano, music form Un Ami viendra ce soir
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
Revolt, initially called Danse, was a modern dance solo choreographed by Martha Graham to music by Arthur Honegger. It premiered with the original title on October 16, 1927, at the Little Theatre in New York City. By February 1928 it appeared in programs as Revolt.
The music is of the impressionist era, though it contains elements of Romanticism, Neoclassicism, and Neo-Baroque music. [2] Three years after the premiere Pierné extracted two suites from the work, the first of which includes sections from the first two tableaux while the second comprises the entire third tableau.
The top court in the battleground state of Georgia ruled on Monday that Cobb County cannot extend the deadline for counting about 3,000 absentee ballots that were sent out shortly before Election ...
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
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