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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
A kulliyyāt (from Arabic: كلّيّات kulliyyāt; Persian: کلیات kolliyyât; Azerbaijani: külliyyat; Urdu: کلیات; Uzbek: kulliyat) is a collection of the poetry of any one poet. Cover of the 1872 translation of the works of Mirza Muhammad Rafi Sauda (1713–1781) Kulliyat is one of the principal collection forms of Urdu poetry ...
Urdu poetry (Urdu: اُردُو شاعرى, romanized: Urdū Shāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . Several prominent Urdu poets include Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938) and Josh ...
Pakistani literature (Urdu: ادبیاتِ پاکستان) is a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of literary traditions of the South Asia. [1] The shared tradition of Urdu literature and English literature of British India was inherited by
Hakim Ahmad Shuja – Pakistani Urdu and Persian poet (1893–1969) Iftikhar Arif – Pakistani poet and litterateur (born 1944) Jaun Elia – Indo-Pakistani poet (1931–2002) Josh Malihabadi – Indian poet (1898–1982) Kishwar Naheed – Pakistani writer; Majeed Amjad – Punjabi writer, Urdu poet (1914–1974)
"Dastur" (Urdu: دستور) is an Urdu nazm (poem) written by the Pakistani poet Habib Jalib. [1] This poem is also known as "Main Nahi Manta". [2] It comes under the resistance poem category because of its relevance and subject. It is written as a voice of protest to a law introduced by General Ayub Khan in 1962, in Pakistan. [3]
The phrase Zaban-e Urdu-e Mualla written in Urdū Lashkari Zaban ("Battalionese language") title in Nastaliq script.. The Urdu movement was a socio-political movement aimed at making Urdu (the standardized register of the Hindustani language), as the universal lingua-franca and symbol of the cultural and political identity of the Muslim communities of the Indian subcontinent during the British ...
[2] [3] It was existed and widely used by the poets between the 16th and 19th centuries during the Mughal Empire. Ashob remained an historical genre in Persian , Urdu and Turkish literature used by the writers, predominantly by the Mughal poets to express their anguish and sorrows over political and social shifts.