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Regarded as a landmark album in East Coast hip hop, as one of the greatest and most influential hip hop albums of all time, and having significantly contributed to the revival of the New York City rap scene. [261] [262] Accolades; Impact and legacy of Illmatic; 25 April 1994 Parklife: Blur: Britpop; Food: Accolades: 26 April 1994 Yank Crime ...
[4] The Independent deemed the album "spaghetti western soundtrack meets west coast hip hop." [5] The Village Voice concluded that the album "fleshes out their new, politically conscious, mariachi mobster aesthetic ... [the] single of the same name moves away from Dre-influenced funk tracks and toward Latin horns and anti-Prop 187 text."
Nevertheless, hip hop turned 50 this month – yep, it’s middle-aged – we’re looking back at some of the most important, vital, and best […] Some albums are angry. Others are sweet.
4 Tha Hard Way is the fourth album by the West Coast hip hop artist Rappin' 4-Tay, released by Noo Trybe Records in 1997. [3] Featuring production from Bay Area producer Ant Banks, [2] as well as guest appearances from the likes of Rick James, E-40 and Master P, the entire album is dedicated to the memory of Tupac Shakur.
Hip-hop has historically given us lots of amazing, cohesive albums from Public Enemy’s “It Takes A Nation of Millions to Hold Us Back” to Kanye’s “My Beautiful Dark Twisted Fantasy” to ...
The album peaked at 53 on the Billboard 200, but you’ll find plenty of hip-hop heads (this one included) who would tell you it’s the single best album released on 9/29/98.
In his review for The Source Chris Wild wrote "BDP fans should buy this album. So should anyone who is interested in what a real hip-hop show sounds like." [9] Mark Cooper of Q Magazine noted that the release "features KRS-1 (sic) at his hectoring, militant best in front of audiences who are too often rather subdued in the mix". [8]
Breaking Atoms is the first album by American/Canadian hip hop group Main Source, released in 1991 on Wild Pitch Records.It was produced by the group, primarily by member Large Professor, with recording sessions taking place during 1990–1991 at Homeboy Studio, Power Play Studios, and Libra Digital in New York City.