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A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
Joan Miró (1893–1983), 9 paintings (Ciphers and Constellations, in Love with a Woman): Artic; Joan Mitchell (1925–1992), 1 painting : Artic; Miyagawa Chôshun, 1 painting : Artic; Amedeo Modigliani (1884–1920), 3 paintings (Jacques and Berthe Lipchitz): Artic; László Moholy-Nagy (1895–1946), 2 paintings : Artic
The sale of Vincent van Gogh's Sunflowers was the first time a "modern" (in this case 1888) painting became the record holder. Old master paintings had previously dominated the market. [3] In contrast, there are currently only nine pre-1875 paintings among the listed top 89, and none created between 1635 and 1874. [citation needed]
Private commissions can be for dining rooms, bathrooms, living rooms or, as is often the case- children's bedrooms. A child's room can be transformed into the 'fantasy world' of a forest or racing track, encouraging imaginative play and an awareness of art. The current trend for feature walls has increased commissions for muralists in the UK.
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters ...
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