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Joyce Carol Oates (born June 16, 1938) is an American writer. Oates published her first book in 1963, and has since published 58 novels, a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction.
The Journal of Joyce Carol Oates: 1973-1982 (2007) In the Absence of Mentors/Monsters (2009) In Rough Country (2010) A Widow's Story: A Memoir (2011) Joyce Carol Oates creates Evangeline Fife, who interviews Robert Frost: Lovely, Dark, Deep (2013) published in "Dead Interviews" [4] — (June 10–17, 2013). "After Black Rock". True Crimes. The ...
The Wheel of Love contains 20 works of short fiction by Joyce Carol Oates published by Vanguard Press in 1970. [1] The volume brought Oates "abundant national acclaim", [2] including this assessment from librarian and critic John Alfred Avant: "Quite simply, one of the finest collections of short stories ever written by an American."
Crossing the Border: Fifteen Tales is a collection of short stories by Joyce Carol Oates written while the author was residing in Canada (1968 – 1978). Published simultaneously by Vanguard Press in the United States and by Cage Publishing Company, Agincourt, Canada in 1976.
“The Dead” is a work of short fiction by Joyce Carol Oates originally published in McCall’s (July 1971), and first collected in Marriages and Infidelities (1972) by Vanguard Press. [1]
Joyce Carol Oates: A Study of the Short Fiction. Twayne’s studies in short fiction; no. 57. Twayne Publishers, New York. ISBN 0-8057-0857-X; Lercangee, Francine. 1986. Joyce Carol Oates: An Annotated Bibliography. Garland Publishing, New York and London. ISBN 0-8240-8908-1; Oates, Joyce Carol. 1972 Marriages and Infidelities. Vanguard Press ...
"The Metamorphosis" is a work of short fiction by Joyce Carol Oates originally published in The New American Review, (November 1971, titled "Others' Dreams") and first collected in Marriages and Infidelities (1972) by Vanguard Press.
“In The Assignation, one of Oates’s two collections of ‘miniature narratives,’ such tales as “Blue-Bearded Lover” and “The Others" recall nineteenth-century Gothic literature, while others convey the kind of hothouse psychological intensity, the precarious balance between sanity and madness, traditionally associated with the genre.” [7]
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