Search results
Results from the WOW.Com Content Network
Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid's wings. A third approach, motion dazzle ...
Camouflage is weakened by motion, but active camouflage could still make moving targets more difficult to see. However, active camouflage works best in one direction at a time, requiring knowledge of the relative positions of the observer and the concealed object. [1] An invisibility cloak using active camouflage by Susumu Tachi. Left: The ...
Military camouflage is the use of camouflage by an armed force to protect personnel and equipment from observation by enemy forces. In practice, this means applying colour and materials to military equipment of all kinds, including vehicles, ships, aircraft, gun positions and battledress, either to conceal it from observation (), or to make it appear as something else ().
Just like their sister branches on the ground, air forces around the world constantly seek to change and improve the camouflages they use. And like all other examples of camouflage, aircraft ...
Camouflage is the concealment of animals or objects of military interest by any combination of methods that helps them to remain unnoticed. This includes the use of high-contrast disruptive patterns as used on military uniforms, but anything that delays recognition can be used as camouflage. Camouflage involves deception, whether by looking ...
Image credits: 18thpilotr When you feel like giving up and moving on, Dion suggests checking the comments. “If there is anything, many of the comments will describe its location (e.g., " girl ...
The Art of War, an ancient Chinese military treatise, emphasizes the importance of deception as a way for outnumbered forces to defeat larger adversaries. [7] Examples of deception in warfare can be found in ancient Egypt, [8] Greece, [9] and Rome, [10] the Medieval Age, [11] the Renaissance, [12] and the European Colonial Era. [13]
Therefore, Cott argues, camouflage has to break up the perceived continuous surfaces of an object and its outlines. In his own words, "for effective concealment, it is essential that the tell-tale appearance of form should be destroyed." [3] He draws an analogy with a pickpocket who carefully distracts your attention, arguing that: