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Ever since the Stone Age, when elephants were represented by ancient petroglyphs and cave art, they have been portrayed in various forms of art, including pictures, sculptures, music, film, and even architecture. Elephant scalp worn by Demetrius I of Bactria (205–171 BC), founder of the Indo-Greek Kingdom, as a symbol of his conquest.
The ruin symbolism in "Nativity" and "Adoration of the Magi" paintings first emerged in Early Netherlandish art around the mid-fifteenth century, in a distinct Romanesque style. [30] Early Netherlandish painters began to associate this style with the architecture of the Holy Land , in contrast to the vague Orientalism of earlier depictions.
It is believed that the elephant guards one of the points of compass. [5] Airavata also stands at the entrance to Svarga, Indra's palace. In addition, the eight guardian deities who preside over the points of the compass each sit on an elephant (world elephant). Each of these deities has an elephant that takes part in the defense and protection ...
The Mystical Nativity is a painting in oil on canvas executed c. 1500–1501 by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. [ 1 ] [ 2 ] It is his only signed work and has an unusual iconography for a painting of the Nativity .
The Nativity story has 7 scenes, and from the Annunciation to the Return from Egypt takes 13. Eadwine Psalter , English manuscript of the mid-12th century, the prefatory cycle now dispersed Scrovegni Chapel by Giotto, a large combined Life of Christ and of the Virgin in fresco with nearly forty narrative scenes.
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These symbols seem to indicate the cosmological importance of the event witnessed. The atmosphere of the scene is intimate and familiar. Barocci uses warm pastel tones and, like in other paintings, typically pays great attention to the depiction of the hands. Its diagonally structured composition is unusual for the subject. [5] [6]
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus , and is one of the latest surviving paintings made by the artist before his death in 1492.
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