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Spanish musical instrument makers (3 C, 5 P) Pages in category "Spanish musical instruments" The following 19 pages are in this category, out of 19 total.
The Spanish instrument that it is most closely related to is the vihuela poblana (also known as the Medieval/Renaissance guitar), which had four courses, two strings each for eight strings in total as well as the Spanish Medieval/Renaissance four-course and the Spanish laúd, particularly in the Canary Islands.
However the Spanish did not object to the Native-Americans learning to play European instruments. [1] The Native-Americans took their drum rhythms and incorporated then into music on the lutes to "preserve the original beats of Danza rhythms." [1] They used the Spanish instruments to "preserve their own songs, rhythms and sacred knowledge." [1]
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
Castanets were used to evoke a Spanish atmosphere in Georges Bizet's opera, Carmen. They are also found in the "Dance of the Seven Veils" from Richard Strauss' opera Salome and in Richard Wagner's Tannhäuser. An unusual variation on the standard castanets can be found in Darius Milhaud's Les Choëphores, which calls for castanets made of metal.
Spanish Court or Decorado: 1694 Patrimonio Nacional, Palacio Real, Madrid, Spain [31] Collectively known as Quinteto Real or Quinteto Palatino (The Royal Quintet or Palace Quintet) when included with the violin duo, los Decorados (Spanish I and II 1687–1689), Bajo Palatino cello of 1700 and the Spanish Court viola of 1696. Is the original ...
The Latin America gallery, which features instruments and ensembles displayed in three sub-galleries: South America; Central America and Mexico; and the Caribbean. The United States/Canada gallery, where guests can observe an array of instruments that shaped the North American musical landscape, including the Appalachian dulcimer, sousaphone ...
The bombo criollo, or simply bombo, is a family of Latin American drums derived from the European bass drum (also called in Spanish bombo) and native Latin American drum traditions. [1] These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel.