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Socrates presents his third argument for the immortality of the soul, the so-called Affinity Argument, where he shows that the soul most resembles that which is invisible and divine, and the body resembles that which is visible and mortal. From this, it is concluded that while the body may be seen to exist after death in the form of a corpse ...
The full title of the work is Phaedon, or on the Immortality of the Soul, but is also known as Phaedon, or the Death of Socrates. Mendelssohn wrote the book after the death of his friend Thomas Abbt. Abbt had introduced him to Plato's work, the Phaedo, and he decided to bring this work into the contemporary world. The book is dedicated to Abbt. [3]
Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", [Note 1] walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repeat the ...
It is a series of three dialogues, revisiting the Platonic dialogue Phaedo, in which Socrates argues for the immortality of the soul, in preparation for his own death. Many philosophers, including Plotinus, Descartes, and Leibniz, argue that the soul is simple, and that because simples cannot decompose they must be immortal.
Socratic dialogue remained a popular format for expressing arguments and drawing literary portraits of those who espouse them. Some of these dialogues employ Socrates as a character, but most simply employ the philosophical style similar to Plato while substituting a different character to lead the discussion. Boethius
Socrates believed that a life devoid of introspection, self-reflection, and critical thinking is essentially meaningless and lacks value. This quote emphasizes the importance of self-awareness and questioning one's beliefs, actions, and purpose in life.
In philosophy and specifically metaphysics, the theory of Forms or theory of Ideas, [1] [2] [3] also known as Platonic idealism or Platonic realism, is a theory widely credited to the Classical Greek philosopher Plato. The theory suggests that the physical world is not as real or true as Forms.
The portrayal of Socrates in the Symposium (for instance his refusal to give in to Alcibiades' sexual advances) is consistent with the account of Socrates put forward by Xenophon, who also wrote his own Symposium, and the theories that Socrates defends throughout the Platonic corpus. Plato shows off his master as a man of high moral standards ...