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Selected Poems of Marion Angus, ed. by Helen B. Cruickshank and Maurice Lindsay (Edinburgh: Serif Books, 1950). Includes a short biography. Voices from their Ain Countrie: the poems of Marion Angus and Violet Jacob, ed. Katherine Gordon (Glasgow: Association for Scottish Literary Studies, 2006). ISBN 0-948877-76-6. Includes a longer bibliography.
Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly into ...
A page from The Bannatyne Manuscript, the major source for Scottish Medieval and Early Modern poetry. Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.
His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and "Scots Wha Hae" served for a long time as an unofficial national anthem of the country. [41] Burns's poetry drew upon a substantial familiarity with and knowledge of Classical, Biblical, and English literature, as well as the Scottish Makar tradition ...
"Annie Laurie" is an old Scottish song based on a poem said to have been written by William Douglas (1672 - c1760 [1]) of Dumfriesshire, about his romance with Annie Laurie (1682–1764). The words were modified and the tune was added by
A list of Scottish poets in English, Scottish Gaelic, Lowland Scots, Latin, French, Old Welsh and other languages. This lists includes people living in what is now Scotland before it became so. This lists includes people living in what is now Scotland before it became so.
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
The Scottish ballads were not early current in Orkney, a Scandinavian country; so it is very unlikely that the poem could have originated the name. The people know nothing beyond the traditional appellation of the spot, and they have no legend to tell. Spens is a Scottish, not a Scandinavian name.