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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Lục bát (Vietnamese: [lʊwk͡p̚˧˨ʔ ʔɓaːt̚˧˦], chữ Hán: 六八) is a traditional Vietnamese verse form – historically first recorded in Chữ Nôm script. "Lục bát" is Sino-Vietnamese for "six-eight", referring to the alternating lines of six and eight syllables. It will always begin with a six-syllable line and end with an ...
The initial impetus was the result of exposure to French poetry, [3] and failures in attempts to translate Verlaine or Baudelaire into the old Chinese-derived poetry forms. [4] Since the 1950s most poetry in Vietnam is written in free verse. [5] The New Poetry Movement did not just depart from Sino-Vietnamese poetic forms and script, it also ...
Vietnamese literature (Vietnamese: Văn học Việt Nam) is the literature, both oral and written, created largely by the Vietnamese. Early Vietnamese literature has been greatly influenced by Chinese literature.
Poetry in Nôm was pioneered by Nguyễn Trãi (1380–1442). He wrote Vietnamese poetry in Nôm using the Chinese seven-syllable pattern. Later in the 17th century, Vietnamese poetry shifted towards a native pattern of alternating lines in six and eight syllables. [42] The epic poem, The Tale of Kieu by Nguyễn Du (1765–1820), was written ...
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The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
Life for Gaza teacher Inas Al-Baz has shrunk to a daily search for food and water for her family, but she breaks the monotony as often as she can, whether it's with a fresh ingredient for her ...