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This song is an anti-drug message. In the chorus section, the phrase: "Oh Life", is repeated a few times, in an echo that fades falsely, depicting a heartbeat. ("Oh Life, Oh Life, Oh Life"). Before the song's ending, the "Oh" in the phrase is heard stronger, with the repeated phrase fading in the spoken coda section.
The Nunc dimittis [1] (English: / n ʊ ŋ k d ɪ ˈ m ɪ t ɪ s /), also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 to 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you let depart". [2]
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
She gave the lyrics to her pastor, Rev. George W. Schreck (or Rev. S. Barnes [4]), at the end of the church service. [5] Coincidentally, that same week the church organist (and coal merchant), John Grape (1835-1915), shared some new music, entitled "All To Christ I Owe," with the same pastor who thought the lyrics and song fit well together. [2 ...
According to doctrine developed by the Church Fathers, the literal sense, or God-intended meaning of the words of the Bible, may also have a tropological sense: it is read figuratively as a moral reading for one's personal life. [1] For instance, in the Song of Songs (also called Canticles or Song of Solomon), which contains love songs between ...
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
Torrey showed how the three major songs in Revelation (the new song, the song of Moses and the Lamb and the chorus at 19:6–8) each fall naturally into four regular metrical lines plus a coda. [107] Other dramatic moments in Revelation, such as 6:16 where the terrified people cry out to be hidden, behave in a similar way. [108]
The End is Nigh, a song by Irish rock band Bell X1 on their 2013 album Chop Chop; Wake (The End Is Nigh), a song by American metal band Trivium on their 2013 album Vengeance Falls; The End is Nigh, a song by Dutch doom metal band Officium Triste on their 2019 album The Death of Gaia