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Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
The poem itself is a plea addressed directly to God, who is invoked in his Trinitarian form ("three-person'd God"). The speaker does not suffer from an internal problem here, unlike in a number of Donne's other Holy Sonnets (such as I am a little world made cunningly or O, to vex me ); he is sure of what he needs and how to reach his end goal.
And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross. Wherefore God also hath highly exalted him, and given him a name which is above every name: That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth;
The Spiritual Canticle (Spanish: Cántico Espiritual) is one of the poetic works of the Spanish mystical poet Saint John of the Cross.. Saint John of the Cross, a Carmelite friar and priest during the Counter-Reformation, was arrested and jailed by the Calced Carmelites in 1577 at the Carmelite Monastery of Toledo because of his close association with Saint Teresa of Ávila in the Discalced ...
The poem, written after Newman's conversion from Anglicanism to Roman Catholicism, [1] explores his new Catholic-held beliefs of the journey from death through Purgatory, thence to Paradise, and to God. The poem follows the main character as he nears death and reawakens as a soul, preparing for judgment, following one of the most important ...
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
The poem itself begins with a pastoral image of laurels and myrtles, "symbols of poetic fame; as their berries are not yet ripe, the poet is not yet ready to take up his pen". [5] However, the speaker is so filled with sorrow for the death of Lycidas that he finally begins to write an elegy.
[7] [8] The poem is a monologue in free verse describing his household (a boy reading to him, a woman tending to the kitchen, and the Jewish landlord), and mentioning four others (three with European names and one Japanese) who seem to inhabit the same boarding house. The poem then moves to a more abstract meditation on a kind of spiritual malaise.