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An ELP gives off uniform light over its entire surface, but other backlights frequently employ a diffuser to provide even lighting from an uneven source. Backlights come in many colors. Monochrome LCDs typically have yellow, green, blue, or white backlights, while color displays use white backlights that cover most of the color spectrum.
This is because even in the "off" state, black pixels still allow some light from the backlight through. Some LED-backlit LCDs use local dimming zones to increase contrast between bright and dim areas of the display, but this can result in a "blooming" or "halo" effect on dark pixels in or adjacent to an illuminated zone. [3]
An RCA Victor Color TV ad featuring milliner Lilly Daché in 1959. Color television (American English) or colour television (Commonwealth English) is a television transmission technology that includes color information for the picture, so the video image can be displayed in color on the television set.
The 2011 UEFA Champions League Final match between Manchester United and Barcelona was broadcast live in 3D format in Gothenburg (Sweden), on an EKTA screen. It had a refresh rate of 100 Hz, a diagonal of 7.11 m (23 ft 3.92 in) and a display area of 6.192×3.483 m, and was listed in the Guinness Book of Records as the largest LED 3D TV.
Displaying any other resolution either requires a video scaler, causing blurriness and jagged edges, or running the display at native resolution using 1:1 pixel mapping, causing the image either not to fill the screen (letterboxed display), or to run off the lower or right edges of the screen. Fixed bit depth (also called color depth).
The Color Bar signal is generated with unconventionally slow rise and fall time value to facilitate video level control and monitor color adjustments of HDTV and SDTV equipment. Digital test images generated following the RP 219:2002 specifications and adapted to perfectly fit 114 standard and non-standard resolutions for both 16bpp and 8bpp ...
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On-screen displays are also used in camcorders, and can display various information both on the viewfinder and on the TV set the camcorder is connected to. The complexity of graphics offered by such displays has greatly increased over the years, from simple monochrome images to intricate graphical user interfaces .